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by Langston Hughes
A guitarist and a dancer compete for the same woman’s affection.
Opening
A few passages to enter the atmosphere.
Setting: The raised porch of Joe Clark’s Store and the street in front. Porch stretches almost completely across the stage, with a plank bench at either end. At the center of the porch three steps leading from street. Rear of porch, center, door to the store. On either side are single windows on which signs, at left, “Post Office,” and at right, “General Store” are painted. Soap boxes, axe handles, small kegs, etc., on porch on which townspeople sit and lounge during action. Above the roof of the porch the “false front,” or imitation second story of the shop is seen with large sign painted across it “Joe Clark’s General Store.” Large kerosene street lamp on post at right in front of porch.
Saturday afternoon and the villagers are gathered around the store. Several men sitting on boxes at edge of porch chewing sugarcane, spitting tobacco juice, arguing, some whittling, others eating peanuts. During the act the women all dressed up in starched dresses parade in and out of store. People buying groceries, kids playing in the street, etc. General noise of conversation, laughter and children shouting. But when the curtain rises there is momentary lull for cane-chewing. At left of porch four men are playing cards on a soap box, and seated on the edge of the porch at extreme right two children are engaged in a checker game, with the board on the floor between them.
When the curtain goes up the following characters are discovered on the porch: Mayor Joe Clark, the storekeeper; Deacon Hambo; Deacon Goodwin; Old Man Matt Brazzle; Will Cody; Sykes Jones; Lum Boger, the young town marshall; Lige Mosely and Walter Thomas, two village wags; Tom Nixon and Sam Mosely, and several others, seated on boxes, kegs, benches and floor of the porch. Tony Taylor is sitting on steps of porch with empty basket. Mrs. Taylor comes out with her arms full of groceries, empties them into basket and goes back in store. All the men are chewing sugarcane earnestly with varying facial expressions. The noise of the breaking and sucking of cane can be clearly heard in the silence. Occasionally the laughter and shouting of children is heard nearby off stage.
The Mule-Bone
Continue readingSay, dat puts me in de mind of a Baptist brother that was crazy ’bout de preachers and de preacher was crazy ’bout feeding his face. So his son got tired of trying to beat dese stump-knockers to de grub on the table, so one day he throwed out some slams ’bout dese preachers. Dat made his old man mad, so he tole his son to git out. He boy ast him “Where must I go, papa?” He says, “Go on to hell I reckon … I don’t keer where you go.”
So de boy left and was gone seven years. He come back one cold, windy night and rapped on de door. “Who dat?” de old man ast him. “It’s me, Jack.” De old man opened de door, so glad to see his son agin, and tole Jack to come in. He did and looked all round de place. Seven or eight preachers was sitting round de fire eatin’ and drinkin’.