The Counterfeiters

By André Gide.

Translated by Dorothy Bussy.

Imprint

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription from Project Gutenberg and on digital scans from Google Books.

The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

I dedicate
this, my first novel,
to
Roger Martin du Gard
in token of profound
friendship
A. G.

The Counterfeiters

Part I

Paris

I

The Luxembourg Gardens

“The time has now come for me to hear a step in the passage,” said Bernard to himself. He raised his head and listened. Nothing! His father and elder brother were away at the law-courts; his mother paying visits; his sister at a concert; as for his small brother Caloub—the youngest—he was safely shut up for the whole afternoon in his day-school. Bernard Profitendieu had stayed at home to cram for his bachot;1 he had only three more weeks before him. His family respected his solitude—not so the demon! Although Bernard had stripped off his coat, he was stifling. The window that looked on to the street stood open, but it let in nothing but heat. His forehead was streaming. A drop of perspiration came dripping from his nose and fell on to the letter he was holding in his hand.

“Pretending to be a tear!” thought he. “But it’s better to sweat than to weep.”

Yes; the date was conclusive. No one could be in question but him, Bernard himself. Impossible to doubt it. The letter was addressed to his mother—a love-letter—seventeen years old, unsigned.

“What can this initial stand for? A V? It might just as well be an N. … Would it be becoming to question my mother? … We must give her credit for good taste. I’m free to imagine he’s a prince. It wouldn’t advance matters much to know that I was the son of a rapscallion. There’s no better cure for the fear of taking after one’s father, than not to know who he is. The mere fact of enquiry binds one. The only thing to do is to welcome deliverance and not attempt to go any deeper. Besides which, I’ve had sufficient for the day.”

Bernard folded the letter up again. It was on paper of the same size and shape as the other twelve in the packet. They were tied up with pink ribbon which there had been no need for him to untie, and which he was easily able to slip round the bundle again to keep it tight. He put the bundle back into the casket and the casket back into the drawer of the console-table. The drawer was not open. It had yielded its secret from above. Bernard fitted together the pieces of wood which formed its top, and which were made to support a heavy slab of onyx, readjusted the slab carefully and gently, and put back in their places on the top, a pair of glass candelabra and a cumbersome clock, which he had been amusing himself by repairing.

The clock struck four. He had set it to the right time.

“His Honour the judge and his learned son the barrister will not be back before six. I shall have time. When His Honour comes in he must find a letter from me on his writing table, informing him in eloquent terms of my departure. But before I write it, I feel that it’s absolutely essential to air my mind a little. I must talk to my dear Olivier, and make certain of a perch—at any rate a temporary one. Olivier, my friend, the time has come for me to put your good-fellowship to the test, and for you to show your mettle. The fine thing about our friendship so far has been that we have never made any use of one another. Pooh! it can’t be unpleasant to ask a favour that’s amusing to grant. The tiresome thing is that Olivier won’t be alone. Never mind! I shall have to take him aside. I want to appal him by my calm. It’s when things are most extraordinary that I feel most at home.”

The street where Bernard Profitendieu had lived until then was quite close to the Luxembourg Gardens. There, in the path that overlooks the Medici fountains, some of his schoolfellows were in the habit of meeting every Wednesday afternoon, between four and six. The talk was of art, philosophy, sport, politics and literature. Bernard walked to the gardens quickly, but as soon as he caught sight of Olivier Molinier through the railings, he slackened his pace. The gathering that day was more numerous than usual—because of the fine weather, no doubt. Some of the boys who were there were newcomers, whom Bernard had never seen before. Every one of them, as soon as he was in company with the others, lost his naturalness and began to act a part.

Olivier blushed when he saw Bernard coming up. He left the side of a young woman to whom he had been talking and walked away a little abruptly. Bernard was his most intimate friend, so that he took great pains not to show that he liked being with him; sometimes he would even pretend not to see him.

Before joining him, Bernard had to run the gauntlet of several groups and, as he himself affected not to be looking for Olivier, he lingered among the others.

Four of his schoolfellows were surrounding a little fellow with a beard and a pince-nez, who was perceptibly older than the rest. This was Dhurmer. He was holding a book and addressing one boy in particular, though at the same time he was obviously delighted that the others were listening.

“I can’t help it,” he was saying, “I’ve got as far as page thirty without coming across a single colour or a single word that makes a picture. He speaks of a woman and I don’t know whether her dress was red or blue. As far as I’m concerned, if there are no colours, it’s useless, I can see nothing.” And feeling that the less he was taken in earnest, the more he must exaggerate, he repeated: “—absolutely nothing!”

Bernard stopped attending; he thought it would be ill-mannered to walk away too quickly, but he began to listen to some others who were quarrelling behind him and who had been joined by Olivier after he had left the young woman; one of them was sitting on a bench, reading L’Action Française.

Amongst all these youths how grave Olivier Molinier looks! And yet he was one of the youngest. His face, his expression, which are still almost a child’s, reveal a mind older than his years. He blushes easily. There is something tender about him. But however gracious his manners, some kind of secret reserve, some kind of sensitive delicacy, keeps his schoolfellows at a distance. This is a grief to him. But for Bernard, it would be a greater grief still.

Molinier, like Bernard, had stayed a minute or two with each of the groups—out of a wish to be agreeable, not that anything he heard interested him. He leant over the reader’s shoulder, and Bernard, without turning round, heard him say:

“You shouldn’t read the papers—they’ll give you apoplexy.”

The other replied tartly: “As for you, the very name of Maurras makes you turn green.”