Imprint
This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on a transcription from Project Gutenberg and on digital scans from the Internet Archive.
The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.
Dramatis Personae
Dramatis Personae
Andrey Sergeyevitch Prosorov
Natalia Ivanova (Natasha), his fiancée, later his wife (28)
Olga (28),
Masha (23),
Irina (20), his sisters
Feodor Ilitch Kuligin, high school teacher, married to Masha
Alexander Ignateyevitch Vershinin, lieutenant-colonel in charge of a battery (42)
Nicolai Lvovitch Tuzenbach, baron, lieutenant in the army (30)
Vassili Vassilevitch Soleni, captain
Ivan Romanovitch Chebutikin, army doctor (60)
Alexey Petrovitch Fedotik, sublieutenant
Vladimir Carlovitch Rode, sublieutenant
Ferapont, doorkeeper at local council offices, an old man
Anfisa, nurse (80)
The action takes place in a provincial town.
(Ages are stated in parentheses.)
Three Sisters
Three Sisters
Act I
Act I
In Prosorov’s house. A sitting-room with pillars; behind is seen a large dining-room. It is midday, the sun is shining brightly outside. In the dining-room the table is being laid for lunch.
“There stands a green oak by the sea.
And a chain of bright gold is around it …
And a chain of bright gold is around it. …”
Gets up and sings softly.
“There stands a green oak by the sea,
And a chain of bright gold is around it …
And a chain of bright gold is around it …”
Tearfully. What am I saying that for? I’ve had those words running in my head all day. …
Act II
Act II
Scene as before. It is 8 p.m. Somebody is heard playing a concertina outside in the street. There is no fire.
Embraces Andrey.
“Oh my house, my house, my new-built house.”
Dances.
“Its walls are like a sieve!”
Laughter.
Act III
Act III
The room shared by Olga and Irina. Beds, screened off, on the right and left. It is past 2 a.m. Behind the stage a fire-alarm is ringing; it has apparently been going for some time. Nobody in the house has gone to bed yet.
Yes. Laughs. How strange everything really is! Pause. When the fire broke out, I hurried off home; when I get there I see the house is whole, uninjured, and in no danger, but my two girls are standing by the door in just their underclothes, their mother isn’t there, the crowd is excited, horses and dogs are running about, and the girls’ faces are so agitated, terrified, beseeching, and I don’t know what else. My heart was pained when I saw those faces. My God, I thought, what these girls will have to put up with if they live long! I caught them up and ran, and still kept on thinking the one thing: what they will have to live through in this world! Fire-alarm; a pause. I come here and find their mother shouting and angry. Masha enters with a pillow and sits on the sofa. And when my girls were standing by the door in just their underclothes, and the street was red from the fire, there was a dreadful noise, and I thought that something of the sort used to happen many years ago when an enemy made a sudden attack, and looted, and burned. … And at the same time what a difference there really is between the present and the past! And when a little more time has gone by, in two or three hundred years perhaps, people will look at our present life with just the same fear, and the same contempt, and the whole past will seem clumsy and dull, and very uncomfortable, and strange. Oh, indeed, what a life there will be, what a life! Laughs. Forgive me, I’ve dropped into philosophy again. Please let me continue. I do awfully want to philosophize, it’s just how I feel at present. Pause. As if they are all asleep. As I was saying: what a life there will be! Only just imagine. … There are only three persons like yourselves in the town just now, but in future generations there will be more and more, and still more, and the time will come when everything will change and become as you would have it, people will live as you do, and then you too will go out of date; people will be born who are better than you. … Laughs. Yes, today I am quite exceptionally in the vein. I am devilishly keen on living. … Sings.
“The power of love all ages know,
From its assaults great good does grow.”
Laughs.
Act IV
Act IV
The old garden at the house of the Prosorovs. There is a long avenue of firs, at the end of which the river can be seen. There is a forest on the far side of the river. On the right is the terrace of the house: bottles and tumblers are on a table here; it is evident that champagne has just been drunk. It is midday. Every now and again passersby walk across the garden, from the road to the river; five soldiers go past rapidly.
The old man is unnecessarily excited. I won’t go far, I’ll only just bring him down like a snipe. Takes out his scent-bottle and scents his hands. I’ve poured out a whole bottle of scent today and they still smell … of a dead body. Pause. Yes. … You remember the poem