Titlepage
The Prisoner of Zenda
By Anthony Hope.
Imprint
Imprint
This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on a transcription from Project Gutenberg and on digital scans from the HathiTrust Digital Library.
The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.
I: The Rassendylls—with a Word on the Elphbergs
I
The Rassendylls—with a Word on the Elphbergs
“I wonder when in the world you’re going to do anything, Rudolf?” said my brother’s wife.
“My dear Rose,” I answered, laying down my egg-spoon, “why in the world should I do anything? My position is a comfortable one. I have an income nearly sufficient for my wants (no one’s income is ever quite sufficient, you know), I enjoy an enviable social position: I am brother to Lord Burlesdon, and brother-in-law to that charming lady, his countess. Behold, it is enough!”
“You are nine-and-twenty,” she observed, “and you’ve done nothing but—”
“Knock about? It is true. Our family doesn’t need to do things.”
This remark of mine rather annoyed Rose, for everybody knows (and therefore there can be no harm in referring to the fact) that, pretty and accomplished as she herself is, her family is hardly of the same standing as the Rassendylls. Besides her attractions, she possessed a large fortune, and my brother Robert was wise enough not to mind about her ancestry. Ancestry is, in fact, a matter concerning which the next observation of Rose’s has some truth.
“Good families are generally worse than any others,” she said.
Upon this I stroked my hair: I knew quite well what she meant.
“I’m so glad Robert’s is black!” she cried.
At this moment Robert (who rises at seven and works before breakfast) came in. He glanced at his wife: her cheek was slightly flushed; he patted it caressingly.
“What’s the matter, my dear?” he asked.
“She objects to my doing nothing and having red hair,” said I, in an injured tone.
“Oh! of course he can’t help his hair,” admitted Rose.
“It generally crops out once in a generation,” said my brother. “So does the nose. Rudolf has got them both.”
“I wish they didn’t crop out,” said Rose, still flushed.
“I rather like them myself,” said I, and, rising, I bowed to the portrait of Countess Amelia.
My brother’s wife uttered an exclamation of impatience.
“I wish you’d take that picture away, Robert,” said she.
“My dear!” he cried.
“Good heavens!” I added.