Dramatis Personae
Poet, painter, jeweller, and merchant
An old Athenian
Flaminius, servant of Timon
Lucilius, servant of Timon
Servilius, servant of Timon
Caphis, servant to Timon’s creditors
Philotus, servant to Timon’s creditors
Titus, servant to Timon’s creditors
Lucius, creditors
Hortensius, servant to Timon’s creditors
And other servants to Timon’s creditors
A page
A fool
Three strangers
Phrynia, mistress to Alcibiades
Timandra, mistress to Alcibiades
Cupid and Amazons in the mask
Other lords, senators, officers, soldiers, banditti, and attendants
Scene: Athens, and the neighbouring woods.
Timon of Athens
Timon of Athens
Act I
Act I
Scene I
Athens. A hall in Timon’s house.
Ay, that’s well known:
But what particular rarity? what strange,
Which manifold record not matches? See,
Magic of bounty! all these spirits thy power
Hath conjured to attend. I know the merchant.
A most incomparable man, breathed, as it were,
To an untirable and continuate goodness:
He passes.
Reciting to himself. “When we for recompense have praised the vile,
It stains the glory in that happy verse
Which aptly sings the good.”
You are rapt, sir, in some work, some dedication
To the great lord.
A thing slipp’d idly from me.
Our poesy is as a gum, which oozes
From whence ’tis nourish’d: the fire i’ the flint
Shows not till it be struck; our gentle flame
Provokes itself and like the current flies
Each bound it chafes. What have you there?
Upon the heels of my presentment, sir.
Let’s see your piece.
Admirable: how this grace
Speaks his own standing! what a mental power
This eye shoots forth! how big imagination
Moves in this lip! to the dumbness of the gesture
One might interpret.
It is a pretty mocking of the life.
Here is a touch; is’t good?
I will say of it,
It tutors nature: artificial strife
Lives in these touches, livelier than life.
You see this confluence, this great flood of visitors.
I have, in this rough work, shaped out a man,
Whom this beneath world doth embrace and hug
With amplest entertainment: my free drift
Halts not particularly, but moves itself
In a wide sea of wax: no levell’d malice
Infects one comma in the course I hold;
But flies an eagle flight, bold and forth on,
Leaving no tract behind.
I will unbolt to you.
You see how all conditions, how all minds,
As well of glib and slippery creatures as
Of grave and austere quality, tender down
Their services to Lord Timon: his large fortune
Upon his good and gracious nature hanging
Subdues and properties to his love and tendance
All sorts of hearts; yea, from the glass-faced flatterer
To Apemantus, that few things loves better
Than to abhor himself: even he drops down
The knee before him, and returns in peace
Most rich in Timon’s nod.
Sir, I have upon a high and pleasant hill
Feign’d Fortune to be throned: the base o’ the mount
Is rank’d with all deserts, all kind of natures,
That labour on the bosom of this sphere
To propagate their states: amongst them all,
Whose eyes are on this sovereign lady fix’d,
One do I personate of Lord Timon’s frame,
Whom Fortune with her ivory hand wafts to her;
Whose present grace to present slaves and servants
Translates his rivals.
’Tis conceived to scope.
This throne, this Fortune, and this hill, methinks,
With one man beckon’d from the rest below,
Bowing his head against the sleepy mount
To climb his happiness, would be well express’d
In our condition.
Nay, sir, but hear me on.
All those which were his fellows but of late,
Some better than his value, on the moment
Follow his strides, his lobbies fill with tendance,
Rain sacrificial whisperings in his ear,
Make sacred even his stirrup, and through him
Drink the free air.
When Fortune in her shift and change of mood
Spurns down her late beloved, all his dependants
Which labour’d after him to the mountain’s top
Even on their knees and hands, let him slip down,
Not one accompanying his declining foot.
’Tis common:
A thousand moral paintings I can show
That shall demonstrate these quick blows of Fortune’s
More pregnantly than words. Yet you do well
To show Lord Timon that mean eyes have seen
The foot above the head.
Ay, my good lord: five talents is his debt,
His means most short, his creditors most strait:
Your honourable letter he desires
To those have shut him up; which failing,
Periods his comfort.
Noble Ventidius! Well;
I am not of that feather to shake off
My friend when he must need me. I do know him
A gentleman that well deserves a help:
Which he shall have: I’ll pay the debt, and free him.