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by Voltairine de Cleyre
A collection of Voltairine de Cleyre's short fiction, blending anarchist thought with visceral storytelling. These tales explore themes of oppression, rebellion, and the human spirit, offering a unique literary window into late 19th-century radicalism. Essential for readers interested in political fiction and the intersection of ideology and narrative.
Voltairine de Cleyre, a prominent American anarchist and free-thinker, is best known for her essays and speeches. Yet her short fiction reveals a powerful literary imagination, channeling her radical convictions into darkly poetic narratives. This collection brings together her complete known short stories, many of which originally appeared in anarchist periodicals.
The stories range from atmospheric sketches to intense character studies. In 'A Rocket of Iron,' a foggy night becomes a metaphor for existential dread and social suffocation. 'The Chain Gang' and 'The Heart of Angiolillo' confront state violence and martyrdom, while 'The Reward of an Apostate' examines betrayal. De Cleyre’s prose is dense with symbolism and emotional urgency, often blurring the line between realism and allegory.
These works are not merely political pamphlets; they are crafted narratives that grapple with despair, solidarity, and the cost of defiance. De Cleyre’s voice is unflinching, her empathy extending to both the oppressed and the flawed rebel. For readers of authors like Emma Goldman or Charlotte Perkins Gilman, this collection offers a rare glimpse into the literary side of American anarchism.
Whether you are a scholar of radical history or a lover of short fiction that challenges and haunts, Short Fiction by Voltairine de Cleyre is a compelling and underexplored treasure.
Opening
A few passages to enter the atmosphere.
It was one of those misty October nightfalls of the north, when the white fog creeps up from the river, and winds itself like a corpse-sheet around the black, ant-like mass of human insignificance, a cold menace from Nature to Man, till the foreboding of that irresistible fatality which will one day lay us all beneath the ice-death sits upon your breast, and stifles you, till you start up desperately crying, “Let me out, let me out!”
For an hour I had been staring through the window at that chill steam, thickening and blurring out the lines that zigzagged through it indefinitely, pale drunken images of facts, staggering against the invulnerable vapor that walled me in—a sublimated grave marble. Were they all ghosts, those figures wandering across the white night, hardly distinguishable from the posts and pickets that wove in and out, like half-dismembered bodies writhing in pain? My own fingers were curiously numb and inert; had I, too, become a shadow?
Short Fiction
Continue readingIt grew unbearable at last, the pressure of the foreboding at my heart, the sense of that on-creeping of Universal Death. I ran out of doors, impelled by the vague impulse to assert my own being, to seek relief in struggle, even though foredoomed futile—to seek warmth, fellowship, somewhere, though but with those ineffective pallors in the mist, that dissolved even while I looked at them. Once in the street, I ran on indifferently, glad to be jostled, glad of the snarling of dogs and the curses of laborers calling to one another. The penumbra of the mist, that menacing dim foreshadow, had not chilled these, then! On, on, through the alleys where human flesh was close, and when one listened one could hear breathings and many feet, drifting at last into the current that swept through the main channel of the city, and presently, whirled round in an eddy, I found myself staring through the open door of the great Iron Works. Perhaps it was the sensation of warmth that held me there first, some feeling of exhilaration and wakening defiance in the flash and swirl of the yellow flames—this, mixed with an indistinct desire to clutch at something, anything, that seemed stationary in the midst of all this that slipped and wavered and fell away. … No, I remember now: there was something before that; there was a sound—a sound that had stopped my feet in their going, and smote me with a long shudder—a sound of hammers, beating, beating, beating a terrific hail, momentarily faster and louder, and in between a panting as of some great monster catching breath beneath the driving of that iron rain. Faster, faster—clang! A long reverberant shriek! The giant had rolled and shivered in his pain. Involuntarily I was drawn down into the Valley of the Sound, words muttering themselves through my lips as I passed: “Forging, forging—what are they forging there? Frankenstein makes his Monster. How the iron screams!” But I heard it no more now; I only saw!—saw the curling yellow flames, and the red, red iron that panted, and the Masters of the Hammers. How they moved there, like demons in the abyss, their bodies swinging, their eyes tense and aglitter, their faces covered with the gloom of the torture-chamber!
Only one face I saw, young and fair—young and very fair—whereon the gloom seemed not to settle. The skin of it was white and shining there in the midst of that black haze; over the wide forehead fell tumbling waves of thick brown hair, and two great dark eyes looked steadily into the red iron, as if they saw therein something I did not see; only now and then they were lifted, and looked away upward, as if beyond the smoke-pall they beheld a vision. Once he turned so that the rose-light cast forth his profile as a silhouette; and I shivered, it was so fine and hard! Hard with the hardness of beaten iron, and fine with the fineness of a keen chisel. Had the hammers been beating on that fair young face?
A comrade called, a sudden terrified cry. There was a wild rush, a mad stampede of feet, a horrible screech of hissing metal, and a rocket of iron shot upward toward the black roof, bursting and falling in a burning shower. Three figures lay writhing along the floor, among the leaping, demoniac sparks.
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