Foxing
Hamilton

Hamilton

by Mary P. Hamlin

Free forever · Public domain

Founding father Alexander Hamilton is enticed into an affair, and then threatened with exposure.

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Hamilton · Act I

Act I

Scene.—The Exchange Coffee House in Philadelphia, a morning in August, during Washington’s first administration. It is a great room with low ceiling and neatly sanded floor. Against wall, back, are cupboards with shining pewter tankards and dishes. Centre, a great fireplace with wide stone hearth, and high-backed settles on each side. Running up right, table with chairs left of it at irregular intervals. Long seat right of table. Right, back, tub stands on floor and contains melons, cucumbers, bottles of wine and a pitcher of milk, cooling. Over fireplace is a large crimson silk liberty cap, with these words above in large letters, “Sacred to Liberty.” On wall near is the following, in large print: “Breakfast—two shillings (fifty cents). Dinner, with grog or toddy—three shillings (seventy-five cents). Quart of Toddy—one and six (thirty-six cents). Bottle of Porter—two and six (sixty cents). Best Madeira—six shillings a quart (one dollar, fifty).” Entrances upper right and left, also door L. 2 E.

A crowd of eight or ten men, including two or three Quakers, smoking churchwardens, discovered sitting, standing, drinking. Mainly men of the better class—not rabble. Melissa, the barmaid, is serving drinks. Men come and go during act. James Reynolds, a handsome, dissipated ne’er-do-well of about thirty-five, slightly the worse for liquor, but not drunk, is centre of a somewhat jeering crowd at top of table right. Monroe is up left talking to some men. Giles is sitting at right of small table down left centre. Giles is reading some manuscript—possibly a draft of a Bill for Congress.

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Act I

Act I

Scene.—The Exchange Coffee House in Philadelphia, a morning in August, during Washington’s first administration. It is a great room with low ceiling and neatly sanded floor. Against wall, back, are cupboards with shining pewter tankards and dishes. Centre, a great fireplace with wide stone hearth, and high-backed settles on each side. Running up right, table with chairs left of it at irregular intervals. Long seat right of table. Right, back, tub stands on floor and contains melons, cucumbers, bottles of wine and a pitcher of milk, cooling. Over fireplace is a large crimson silk liberty cap, with these words above in large letters, “Sacred to Liberty.” On wall near is the following, in large print: “Breakfast—two shillings (fifty cents). Dinner, with grog or toddy—three shillings (seventy-five cents). Quart of Toddy—one and six (thirty-six cents). Bottle of Porter—two and six (sixty cents). Best Madeira—six shillings a quart (one dollar, fifty).” Entrances upper right and left, also door L. 2 E.

A crowd of eight or ten men, including two or three Quakers, smoking churchwardens, discovered sitting, standing, drinking. Mainly men of the better class—not rabble. Melissa, the barmaid, is serving drinks. Men come and go during act. James Reynolds, a handsome, dissipated ne’er-do-well of about thirty-five, slightly the worse for liquor, but not drunk, is centre of a somewhat jeering crowd at top of table right. Monroe is up left talking to some men. Giles is sitting at right of small table down left centre. Giles is reading some manuscript—possibly a draft of a Bill for Congress.

As curtain rises there is a general hubbub, Reynolds’ voice dominant. First Citizen is seated on down stage end of long seat right of table R. A Second Citizen is facing him, seated on a chair, another is on his left further upon seat. Three men are standing in a group up stage R. C. An old man is seated on settle right of fireplace reading The Federalist. A man is seated on settle left of fireplace. He is playing chess with another who is seated on a chair in front of him. The chessboard is on a small round table between them. Two Quakers are standing near the door on the left. Monroe is conversing with them. The original flag of the United States, thirteen stars in circle and thirteen stripes, is on wall above inner door on left back. The chairs are all Windsor chairs, dark in color. Wainscoting about two feet six inches high. All woodwork in dark oak and walls and ceiling a neutral smoky gray.

Round table down stage L. C. with three chairs around it—two armchairs and one single chair. The high-hack settles are set at an angle and start from the fireplace down stage on either side. They fit in between two thick upright posts which support a crossbeam. Similar posts are suggested right and left at either end of beam. Against the post R. C. is a chair. Three windows in right flat and one similar window in same position in kitchen seen through entrance up right back. Shelves and bottles in kitchen. Through door left back is backing with door and beyond the street.

At rise Melissa is gathering up tankards and wiping is off table right.

Exit Reynolds L. 2 E. Giles remains looking at the paper, apparently thinking it over. He reaches for his hat, which is on the table beside him; rises with sudden determination; puts his hat on, looks again at the paper, then with his mind made up he exits quickly through the street door up L.

Curtain.

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