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by Julia Peterkin
A young woman struggles to choose between living as a member in good standing in the church or embracing a life of sin and pleasure.
Opening
A few passages to enter the atmosphere.
The black people who live in the Quarters at Blue Brook Plantation believe they are far the best black people living on the whole “Neck,” as they call that long, narrow, rich strip of land lying between the sea on one side and the river with its swamps and deserted rice-fields on the other. They are no Guinea negroes with thick lips and wide noses and low ways; or Dinkas with squatty skulls and gray-tinged skin betraying their mean blood; they are Gullahs with tall straight bodies, and high heads filled with sense.
Since the first days of slavery they have been the best of field workers. They make fine mechanics and body servants for their masters. Their preachers and conjure doctors have always known many things besides how to save men’s lives and souls.
The old owners of Blue Brook must have been careful to buy slaves that were perfect, for they built up a strain of intelligent, upstanding human beings, just as they bred racehorses and hunting dogs that could not be excelled. The slaves destined to be skilled laborers were sent across the sea to learn their trades from the best workmen in the world, and the house and body servants came into close contact with masters and mistresses who were ladies and gentlemen and not common white trash, or poor buckras. When the war between the states freed them and broke up the old plantation system, the black people lived on in the old plantation Quarters, shifting for themselves and eking out a living as best they could. The lack of roads and bridges afforded them little contact with the outside world, and so, instead of going away to seek new fortunes, new advantages, easier work and more money, they kept faithful to the old life, contented with old ways and beliefs, holding fast to old traditions and superstitions.
When their time is out and death takes their souls back to their Maker, their bodies are laid with those others lying so thick in the old graveyard that room can scarcely be found for another resting-place.
The world made by the old plantation is drawn to a simple pattern. The loamy red fields are bordered by quiet woodlands. A cluster of ancient cabins near the river is sheltered by a grove of giant moss-hung live oaks. A great empty Big House, once the proud home of the plantation masters, is now an old crumbling shell with broken chimneys and a rotting roof. Ghosts can be heard at sunset rattling the closed window-blinds upstairs, as they strive for a glimpse of the shining river that shows between the tall cedars and magnolias.
Scarlet Sister Mary
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