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by Jack Black
Jack Black’s autobiographical account of life “on the road” as a professional thief and hobo during the late 19th century and early 20th century.
Opening
A few passages to enter the atmosphere.
I am now librarian of the San Francisco Call.
Do I look like one? I turn my chair so I can look in the mirror. I don’t see the face of a librarian. There is no smooth, high, white forehead. I do not see the calm, placid, composed countenance of the student. The forehead I see is high enough, but it is lined with furrows that look like knife scars. There are two vertical furrows between my eyes that make me appear to be wearing a continual scowl. My eyes are wide enough apart and not small, but they are hard, cold, calculating. They are blue, but of that shade of blue farthest removed from the violet.
My nose is not long, not sharp. Nevertheless it is an inquisitive nose. My mouth is large—one corner of it is higher than the other and I appear to be continually sneering. I do not scowl, I do not sneer; yet there is something in my face that causes a man or woman to hesitate before asking to be directed to Dr. Gordon’s church. I can’t remember a time that any woman, young or old, ever stopped me on the street and asked to be directed. Once in a great while a drunk will roll over to where I am standing and ask how he can get to “Tw’ninth ’n’ Mission.”
If I gaze into the mirror long enough and think hard enough I can conjure up another face. The old one seems to dissolve and in its place I see the face of a schoolboy—a bright, shining, innocent face. I see a mop of white hair, a pair of blue eyes, and an inquisitive nose. I see myself standing on the broad steps of the Sisters’ Convent School. At the age of fourteen, after three years’ “board and tuition,” I am leaving to go home to my father and then to another school for “big boys.”
My teacher, a sweet, gentle Sister, a madonna, is holding my hand. She is crying. I must hurry away or I will be crying, too. The Mother Superior says goodbye. Her thin lips are pressed so tightly together that I can barely see the line where they meet. She is looking into my eyes intently and I am wondering what she is going to say to me when the crunching of gravel warns us that the old coach is ready and I must be off. The Mother takes my teacher gently by the hand. I see them go through the wide door and disappear silently down the long, dark hall.
You Can’t Win
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